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Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
In “‘Ma voix se dégagea’: Music, Risk, and the Heroine’s Voice in George Sand’s Malgrétout, ” I argue that Sand’s 1870 novel Malgrétout offers a view of the complexity of Sand’s thinking about sound, whether in a child’s holistic and...
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
