Ver Prope Florigerum, Flava Licori, Vitam Duxi Iocundam, invehar In Venerem, Lateran IV, Pope Celestine III, Twelfth Century, Twelfth-Century Politics, Twelfth-Century Music Felix Ille Locus Quem Vitis Amenat Amena, Ex Ungue Primo Teneram, Estivali Clarius, Estas In Exilium, Pope Odo, Rene Auberjonois, Song Parody, Vacillantis Trutine, Quo Me Vertam Nescio, Reflexive Gesture, Rhetorical Gesture, Qui Seminant In Lacrimis, Qui Seminant In Loculis, Olim Sudor Herculis, Olim Militaveram, Veneris Prosperis, Vite Perdite, Non Te Lusisse Pudeat, A Globo Veteri, Blandus Aure Spiritus, Brume Torpescunt, Da Plaudens Organo, Dionei Sideris, Dum Iuventur Floruit, Discat Cancellarius, Caudae, Henry II, Dum Rutilans Pegasei, Eleanor Of Aquitaine, Philip The Chancellor, Phillip The Chancellor, Philippe The Chancellor, Peter Of Blois, Petrus Blesensis, Medieval Song, Medieval Latin Song, Medieval Latin Lyric, Secular Latin Song, Secular Latin Lyric, Pudology, Walter Of Chatillon, Sic Et Non, Abelard, Thomas Becket, Archbishop Thomas Becket, Cancellarius, Chancellor, Parody, Conducti, Cauda, Grates Ago Veneri, Spoliatum Flore Pratum, Sevit Aure Spiritus, Sed Invitus, Scribo, Ridere Solitus, Quod Amicus Suggerit, Phebeo Reditu Calescit, Partu Recenti Frondium, O Cunctis Liberalior, O Cessent Gemitus, Non Te Lusisse Pudeat, Non Carnis Est Sed Spiritus, Nec Mare Flumini, Sa Vivere Michi Reddidit, In Nova Fert Animus, In Lacu Miserie, Mide Regis Vicio, Ni Lavare Laterem, Hyemale Tempus, Vale, Iam Vere Fere Medio, In Laborem Sponte Labor