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This study is a performer's guide to Michael Tippett's The Blue Guitar. Included is a detailed analysis of Tippett's work, treatment of form, structure, style, language and historical significance. The study will also trace and explore how Pablo Picasso, Wallace Stevens and Michael Tippett realized the subject of the 'blue guitar' in the arts of painting, poetry and music.
A Treatise Submitted to the School of Music in Partial Fulfillment of the Requirements for the Degree of Doctor of Music.
Bibliography Note
Includes bibliographical references.
Publisher
Florida State University
Identifier
FSU_migr_etd-1842
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