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This piece is written for string quartet, and is composed of two contrasting movements. Based on the idea of blending Western and non-Western musical elements, it was inspired by Korean traditional dance music. Non-standard instrumental techniques, folkloric tunes, and other elements contribute to its blended musical language. This piece is intended to comment on the globalization of contemporary music by exploring the Korean traditional musical cultures. I. The first movement was inspired by Korean court dance. In contrast with the general features of dance music, Korean court dance can be represented by the words such as “slow, calm, static, …” This movement imitates such non-rhythmic movement although the middle section leads the music to a climax with a faster tempo. Another feature of this movement is the sporadic use of dissonant harmonies. This piece uses dissonance to reproduce primitive sounds coming from “unrefined” instruments in Korean traditional music. II. While the first movement reflects dance in high culture, the second movement features more dance-like folk music. Textures that can be described as “fast, rhythmic, energetic, …” can easily be found in this movement while the tune strongly evokes melodies of Korean traditional folk dance. Duration: 7m
Date of Defense
April 20, 2018.
Submitted Note
A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music.
Bibliography Note
Includes bibliographical references.
Advisory Committee
Evan A. Jones, Professor Directing Thesis; Clifton Callender, Committee Member; Mark Wingate, Committee Member.
Publisher
Florida State University
Identifier
2018_Sp_Yu_fsu_0071N_14545
Yu, E. (2018). Muyong. Retrieved from http://purl.flvc.org/fsu/fd/2018_Sp_Yu_fsu_0071N_14545