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Portraying the Aztec Past in the Codex Azcatitlan: Colonial Strategies by Angela Marie Herren / “The Triumph of the Text:” A Reconsideration of Giovanni Vendramin’s Architectural Frontispieces by Lisandra Estevez / The Ca’Dario: A Message from a Cittadino by Julianne Parse Sandlin / Illusion and Deception: Construction of a Proverb in Hieronymus Bosch’s The Conjurer by Elina Gertsman / Giulio Romano’s Garden of Venus as an Interactive Spatial Metaphor by Diann G. Montague / The Sacro Monte of Varallo as a Physical Manifestation of the Spiritual Exercises by Ryan Gregg / Disbelieving in Witchcraft: Allori’s Melancholic Circe in the Palazzo Salviati by Guy Tal / Emblem of Victory: The Immaculate Conception in Spanish Colonial Painting of the Viceroyalty of New Spain by Iraida Rodríguez-Negrón / Ramón Frade’s El Pan Nuestro: The Jíbaro as a Visual Construction of Puerto Rican National Identity by Ilenia Colón Mendoza / One Portrait of One Woman: The Influence of Gertrude Stein on Marsden Hartley’s Approach to the Object Portrait Genre by Christal Hensley / The Effacement of Myth: A Study of the Work of Roland Barthes, Isidore Isou, Françoise Dufrêne and Daniel Buren by Jennifer Farrell / Absence of Evidence: Depicting the Truth of War by Tienfong Ho
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