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This thesis documents a search for a contemporary and relevant sublime, through the means of a visual art studio practice. I have culled a wide variety of sources that follow the historical development of the "sublime", and used them as a basis for my personal investigation into the subject. In order to best portray my findings I will discuss two separate bodies of work concerning my interpretation of the contemporary sublime, one that progresses past historic notions of the idea and into a context that is cohesive with the contemporary art world.