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Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
This dissertation engages with scholarship in musical semiotics and hermeneutics to offer insight into the aesthetics of hard bop (c. 1954–65), a jazz genre often characterized as a return to jazz’s roots. By synthesizing the semiotic...
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