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Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
This project investigates the explicit jazz idioms in Aaron Copland’s first orchestral composition: Grohg a Ballet in One Act. Composed between 1922-1925, and later revised in 1932, Grohg was never published in Copland’s lifetime but it...
Using Hedwig and the Angry Inch, Head Over Heels, and The Knife as a starting point, this thesis explores the representation of transgender characters in musical theatre. While other forms of queer representation have found a home on the...
This thesis analyzes Jean Cocteau’s (1889–1963), Erik Satie’s (1866–1925), and Pablo Picasso’s (1881–1973) ballet Parade in the context of wartime nationalism. During the war, the dominant aesthetic was defined by traditionalism and...
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
