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Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
This thesis analyzes Jean Cocteau’s (1889–1963), Erik Satie’s (1866–1925), and Pablo Picasso’s (1881–1973) ballet Parade in the context of wartime nationalism. During the war, the dominant aesthetic was defined by traditionalism and...
Some of the material in is restricted to members of the community. By logging in, you may be able to gain additional access to certain collections or items. If you have questions about access or logging in, please use the form on the Contact Page.
